Presentation Slides

Dowload PDF

Literature

Barnard, Malcom (Ed.). (2007). Fashion theory: A Reader. London and New York: Routledge.

Chun, Namkyu (2018). Re(dis)covering fashion designers. Interweaving dressmaking and placemaking. Aalto University.

Deleuze, Gilles, & Guattari, Felix (1987). A Thousand Plateaus. Capitalism and Schizophrenia. University of Minnesota Press. https://doi.org/10.2307/203963

Loschek, Ingrid (2009). When Clothes Become Fashion. Design and Innovation Systems. New York: Berg Publishers.

Lipovetsky, Gilles (2002). The Empire of Fashion. Dressing Modern Democracy. New York: Princeton University Press.

Hinerasky, Aline (2006) Moda Brasileira na imprensa. A tendência ‘fashion week’. 

Wicker, Alden (2022) Fashion is not the second most polluting industry after oil. But what is it? Ecocult. 

Meadows, Donatella (1999) Leverage Points: Places to Intervene in a System. Victoria, BC: Hartland Sustainability Institute.

Abson, D. J., Fischer, J., Leventon, J., Newig, J., Schomerus, T., Vilsmaier, U., … Lang, D. J. (2017). Leverage points for sustainability transformation. Ambio, 46(1), 30–39. 

Sterling, Stephen (2010). Transformative Learning and Sustainability: sketching the conceptual ground. In P. Jones, D. Selby, & S. Sterling (Eds.), Learning and Teaching in Higher Education (pp. 17–33). Routledge. 

Williams, Dilys, et al. (2020) IO2 – Framework for Design Led Sustainability Education. Fashion SEEDS Report. EKA, Tallinn. 

Matteucci, Giovanni (2021) Aesthetics of Fashion. Routledge

Valle-Noronha, Julia and Puppart, Piret (2020) Guided by voices (from the fields). Cumulus ROME. University Sapienza, Rome.

Valle-Noronha, Julia (2019) The body within the clothes. RUUKKU #10

Gaver, W., Dunne, T., & Pacenti, E. (1999). Cultural Probes. Interactions, 6(1), 21–29.

Mattelmäki, Tuuli (2006) Design Probes. Aalto ARTS Books, Helsinki. 

Valle-noronha, Julia (2019). Becoming with Clothes: Activating wearer-worn engagements through design. Espoo, FI: Aalto ARTS Books.

Images

Slide 1: Dress (v.) projet. Credit: Julia Valle Noronha

Slide 2: Clothes in the Atacama Desert. Credit: Martin Bernetti / Getty Images

People on the streets in São Paulo. Credit: Feliphe Schiarolli / Unsplash

Roots and Earth. Credit: Juuso Joona/Unsplash

Brazil Immersive Fashion Week. Credit: BRIFW 2022 (brifw.com/en)

Prada Milan Fashion Week 2020. Credit: Prada

Amazon Forest. Credit: Vlad Hilitanu/Unsplash

Slide 9: Chanel with Dog. Credit: Gigot c. 1930

Slides 14/15: The Agency of Clothes. Credit: Julia Valle

Slide 18: Generator. Credit: Julia Valle/Ricardo Portilho

Slide 19: mIRC Screen. Credit: Julia Valle. Printing Fashion Rio 2009. Credit: Marcio Madeira

Slide 20-23: Generator Software. Credit: Julia Valle

Slide 24: Generator Fashion Rio Moda Hype. Credit: Alexander Azarov / Ag. Fotosite

Slides 26-31. Dress(v.). Credit: Julia Valle

Slide 27-28. Dress(v.). Credit: Studio Tertúlia

Slides 34-35. Dress(v.) Credit Julia Valle